Ross Bonaime-

Ross Bonaime

About Ross Bonaime

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, Flickchart, The Free Lance-Star, and more. Ross graduated from George Mason University with a focus in communications and journalism and a minor in film and video studies.

Ross is a Tomatometer-approved critic, a member of the Washington DC Area Film Critics Association, and a member of the Critics Choice Association. He has loved movies ever since he saw Cinderella in the theater as a kid, he can quote 10 Things I Hate About You and Wet Hot American Summer from memory, and is fascinated by all things Georges Méliès and Charlie Chaplin.

Ross also has an unhealthy obsession with theme parks, Disney, and the Criterion Collection and will defend the Lost finale until his dying day.

You can find more of Ross's work at, and you can find him on Letterboxd at

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Every Disney Animated Movie Ever Made Ranked from Worst to Best

There have been 61 feature-length animated features from Disney since 1937, so how do they stack up against each other?

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‘Taylor Swift: The Eras Tour’ Review: Just as Impressive at the Movies

Covering 17 years and 10 albums, 'The Eras Tour' is an incredible testament to Taylor Swift's already gargantuan career.

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The Most Anticipated Films of 2023

Barbenheimer may be over, but there are still plenty of great films to look forward to.

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'The Wonderful World of Henry Sugar' Review: Even in a Short, Wes Anderson Is Still Grand

Now available to watch on Netflix, this new short is a joyous and bite-sized delight.

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'The Peasants' Review: 'Loving Vincent' Filmmakers Craft an Even More Impressive Animated Drama | TIFF 2023

DK Welchman and Hugh Welchman bring Polish culture and art to life in stunning fashion.

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'Flipside' Review: Chris Wilcha’s Documentary Looks at the Shaggy, Unexpected Directions Life Takes Us | TIFF 2023

The Judd Apatow-produced doc shows the fragmented, but beautiful ways that life often comes together.

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'Perfect Days' Review: Wim Wenders Brings Beauty to the Little Things in Wonderful Drama | TIFF 2023

Koji Yakusho stars in this restrained but powerful look at the small things in life that we find beauty in.

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'Evil Does Not Exist' Review: 'Drive My Car's Ryusuke Hamaguchi Gets Quieter and Reflective With Eco-Drama | TIFF 2023

'Evil Does Not Exist' takes a contemplative, silent approach to the ecological drama in a way that only Ryusuke Hamaguchi could do.

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'Fingernails' Review: Jessie Buckley and Riz Ahmed Test Love and a Flimsy Screenplay | TIFF 2023

Also starring Jeremy Allen White, 'Fingernails' is a promising film from Christos Nikou that never delves as deep into its concepts as it should.

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'His Three Daughters' Review: Elizabeth Olsen, Natasha Lyonne, and Carrie Coon Are Tremendous in Staggering Dramedy | TIFF 2023

Writer-director Azazel Jacobs' film about loss and family is his best so far, and one of the most powerful films of the year.

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‘Dream Scenario' Review: Nicolas Cage Gets Into People’s Heads With Strange Dark Comedy | TIFF 2023

Nicolas Cage enters the dreams of everyone, in this odd, hilarious film from Kristoffer Borgli.

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'Hit Man' Review: Richard Linklater’s Take on Film Noir Is a Hilarious, Sexy Gem | TIFF 2023

Glen Powell is having a ball in one of the most thoroughly entertaining films of Linklater's career.

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'Pain Hustlers' Review: Emily Blunt Is the Wolf of Pharma Creeps | TIFF 2023

David Yates attempts to take down the opioid companies in a toothless dramedy that brings nothing new to the conversation.

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'Origin' Review: Ava DuVernay’s Unusual Adaptation Rights Itself in the End | TIFF 2023

Starring Aunjanue Ellis, 'Origin' is an odd adaptation that takes too long to make its concept work.

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‘Rustin’ Review: Colman Domingo Does What He Can to Save Stiff, Generic Biopic | TIFF 2023

From director George C. Wolfe, 'Rustin' is a by-the-numbers biopic that at least makes Colman Domingo a rightful star.

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‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Is a Haunting, Surprising Serial Killer Story | TIFF 2023

With strong direction from Kendrick and a terrifying performance by Daniel Zovatto, 'Woman of the Hour' is a fascinating directorial debut.

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'Sorry/Not Sorry’ Review: Doc on Louis C.K. Explores “Cancelled” Comedian and the Women Affected | TIFF 2023

Caroline Suh and Cara Mones’ documentary isn’t revelatory, but asks essential questions about “cancel culture.”

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‘Next Goal Wins’ Review: Extremely OK Sports Comedy Slightly Improved by Solid Taika Waititi Jokes | TIFF 2023

Taika Waititi's latest is a decent, by-the-numbers sports comedy, the likes of which we've seen many times before.

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'The Holdovers' Review: Alexander Payne’s Most Big-Hearted Film Is Also One of His Best | TIFF 2023

Starring Paul Giamatti, Dominic Sessa, and Da’Vine Joy Randolph, 'The Holdovers' is a surprisingly and lovely film from Alexander Payne.

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'Finestkind' Review: Ben Foster and Jenna Ortega Sink in Boston Fishing Drama | TIFF 2023

Also starring Toby Wallace and Tommy Lee Jones, 'Finestkind' is a mishmash of silly ideas and miscast actors.

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