Run Time: 1 hr 23 min | Director: Stephen Cognetti

Cast: Kristin Michelle Taylor, Jeb Kreager, Theodore Bouloukos

Don't be fooled by the name. This is not a documentary but a found footage - and completely fictional - film. The mysterious deaths of 15 visitors and employees in one night of a Halloween haunted attraction, Hell House, haunt the small, upstate New York town of Abaddon. A documentary crew heads out there to try to find the cause of the deaths, and along the way, they find photographs, film footage... and a survivor to go on the record about what happened. A chilling and effective addition to the found footage subgenre. - Alyse Wax

Run Time: 2 hr 18 min | Genre: Horror | Director: Damien Leone

Cast: Lauren LaVera, David Howard Thornton, Elliott Fulham

One of modern cinema’s most terrifying villains, Art the Clown, has been resurrected in the sequel to the hit 2016 film Terrifier and is returning to his old stomping ground to wreak havoc on Halloween. Damien Leone takes what was so successful in the first installment and ramps it up a notch, delivering first-rate, heart-pounding terror throughout. Brutal and very violent, Terrifier 2’s fear factor never lets up, with David Howard Thornton’s performance as Art the Clown carrying the movie excellently from start to finish and making a claim for the villain to be considered alongside the greats. - Jake Hodges

Run Time: 1 hr 40 min | Genre: Horror Mystery | Director: M. Night Shyamalan

Cast: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird

Jonathan Groff and Ben Aldridge co-star in Knock at the Cabin as a couple vacationing with their daughter (Kristen Cui). Directed by the master of mystery M. Night Shyamalan, Knock at the Cabin is a suspenseful drama unfolding as the family is taken hostage by four armed strangers. Based on Paul G. Tremblay’s horror novel, The Cabin at the End of the World, Knock at the Cabin was written by Shyamalan, along with Steve Desmond and Michael Sherman. Featuring an unprecedented performance from Dave Bautista (Guardians of the Galaxy), Knock at the Cabin is a thrilling apocalyptic psychological film worth checking out. – Yael Tygiel

Run Time: 1 hr 56 min | Director: Parker Finn

Cast: Sosie Bacon, Jessie T. Usher, Kyle Gallner

Written and directed by Parker Finn, who created the short film Laura Hasn't Slept, which serves as a prologue to this film, Smile is an unsettling supernatural thriller about trauma and the ways it moves from one person to another in an endless cycle. The film follows Rose Cotter (Sosie Bacon), a therapist whose reality begins to warp and crumble as a strange smiling curse invades her life after she witnesses the suicide of one of her patients. Finn does a phenomenal job playing with audience expectations and allows the unreliable narrative, delivered through the traumatized main character, to be ambiguous enough that the audience has room to speculate about the supernatural elements and engage in spirited debate long after their viewing. – Tauri Miller

Run Time: 2 hr 10 min | Director: Jordan Peele

Cast: Daniel Kaluuya, Keke Palmer, Steven Yeun, Michael Wincott

NOPE is another masterpiece from visionary horror director Jordan Peele. The movie follows OJ (Daniel Kaluuya) and Em (Keke Palmer), two siblings who train horses for various film projects, and Jupe (Steven Yeun), a man who operates a theme park and witnessed a tragic experience as a child actor. You want to go into this one without knowing much more than that, as the surprise and unknown is one of the most fun parts, but trust us: NOPE tackles complex themes with refreshing nuance, and the performances are phenomenal. – Taylor Gates

Run Time: 1 hr 39 min | Director: Nikyatu Jusu

Cast: Anna Diop, Michelle Monaghan, Sinqua Walls

Nanny is the feature film debut of writer/director Nikyatu Jusu, who delivers a fever dream of horror imagery that is unsettling and evocative. Focusing on Aisha (Anna Diop), an illegal immigrant working as a nanny for a New York family to earn money to bring her young son and cousin to America, the story quickly spins out into a realm of spirits and supernatural visions. Plagued by visions and the feeling of drowning in both her dreams and waking life, Aisha has to dig into the cause of these attacks on her psyche while trying to care for the American family’s child. – Tauri Miller

Run Time: 1 hr 25 min | Director: James DeMonaco

Cast: Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane

The birth of the franchise, The Purge comes from writer/director James DeMonaco, who captures the heart-racing anxiety of his clever and horrific concept. Exploring the nature of humanity and the realities of societal decay, The Purge exposes these themes through gore and scary movie tropes. Broaching interesting philosophical questions through a crude narrative more invested in shock value than intellectual discussion, The Purge is set in a world where, during a 12-hour period permitting any and all crime, a murderous gang syndicate holds a wealthy family hostage. Starring Ethan Hawke (Moon Knight) and Lena Headey (Game of Thrones), The Purge is a gruesome film with heavy ideas expressed through bloody visuals. – Yael Tygiel

Run Time: 1 hr 44 min | Director: Shana Feste

Cast: Ella Balinska, Pilou Asbæk, Clark Gregg, Shohreh Aghdashloo

Run Sweetheart Run is directed by Shana Feste, co-writer with Keith Josef Adkins and Kellee Terrell, and follows Cherie (Ella Balinska) as a young woman who finds herself on a date gone wrong. Co-starring Pilou Asbæk (Game of Thrones) as the sadistic puppetmaster of the horrific adventure, Run Sweetheart Run explores the terrifying realities of modern dating through overly exaggerated, viciously gory scenes. Also featuring talent like Clark Gregg (Agents of SHIELD) and Shohreh Aghdashloo (The Expanse), Run Sweetheart Run is an ideal watch for horror fans, oozing with excitement while lightly layering in a dark message. – Yael Tygiel

Run Time: 1 hr 37 min | Director: Damon Thomas

Cast: Elsie Fisher, Amiah Miller, Rachel Ogechi Kanu, Cathy Ang

An homage to classic horror of the ‘80s, My Best Friend’s Exorcism is a sharp new horror-comedy starring young talents Elsie Fisher and Amiah Miller. As the title suggests, the film showcases two best friends: Abby (Fisher) and Gretchen (Miller), who are both struggling through high school. Things get even more complicated when, after a visit to a creepy cabin in the woods and some Ouija board playing, Gretchen starts feeling a little…off. Supernatural things abound, and it’s up to Abby to save her. As silly as it is scary, My Best Friend’s Exorcism is a fun watch if you’re in the mood for something that’s a little spooky and a lot of fun. – Taylor Gates

Run Time: 1 hr 31 min | Director: Nia DaCosta

Cast: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett

Co-written by Jordan Peele (Get Out, Us), who has cleverly and deliberately shifted away from his comedic reputation by building a solid catalog of profound and suspenseful thrillers, comes a sequel to the 1992 classic of the same name. Candyman is a continuation of the story, rooted in a horrific narrative stemming from America’s racist history. Starring Yahya Abdul-Mateen II (Aquaman) and Teyonah Parris (WandaVision), Candyman expands upon the original mythology of the property, taking place in the same city where the journey began while reinvigorating it for a contemporary audience. Along with Peele, director and co-writer Nia DaCosta creates a modern horror film with a thought-provoking story. – Yael Tygiel

Run Time: 1 hr 58 min | Director: Sang-ho Yeon

Cast: Gong Yoo, Ma Dong-Seok, Jung Yu-mi

This Korean zombie flick was said to reinvigorate the subgenre when it was released in 2016. Travelers on a bullet train from Seoul to Busan must fight for their lives when a virus outbreak turns commuters into zombies. It's "zombies on a train" but less cheesy. Action and gore soak this frenetic portrayal of zombie madness. - Alyse Wax

Run Time: 2 hr 36 min | Director: Na Hong-jin

Cast: Kwak Do-won, Hwang Jung-min, Chun Woo-hee

Watching The Waling is a bit like catching sight of something humanity was never meant to see. It’s peeking behind a rickety curtain that was left intentionally askew and immediately wishing you never saw through the cracks because there's definitely something sinister as hell back there. The South Korean crime thriller-meets-demonic nightmare centers on Kwak Do-Wan's everyman detective Jong-Goo, who is drawn into the nasty realm of demons and spirits when his job leads him to a string of horrifying murders. Each crime is committed by a dazed perpetrator fallen ill with a severe rash, and when he wakes up to find his daughter in the same condition, his life rapidly spins out of control as he desperately tries to uncover the source of the scourge. Director Hong-jin Na keeps the pace pounding and the surprises coming (including one of the best on-screen uses of lightning of all time) and he’s seemingly incapable of backing down from the grim or the grisly. I won’t lie, The Wailing is also pretty confusing on a first watch, especially to a Western viewer, but like a mirror of the film itself, investigating its meaning only seems to draw out further horrors. — Haleigh Foutch

Run Time: 1 hr 35 min | Director: Jim Wynorski

Cast: Kelli Maroney, Tony O'Dell' Barbara Crampton, Karrie Emmerson, Russell Todd, Nick Segal, Dick Miller

Chopping Mall is 80s to the utmost; the neon, the hair, the overtly sensationalist nudity, but in the place of your average slasher killer, Chopping Mall pits a gang of lusty teens against a trio of deadly, malfunctioning mall security robots. Locked in the high-tech shopping mall overnight with the laser-eyed murderbots rolling up behind their every move, the teens arm up and fight back to the quintessential 80s electronic score. Whacky and unafraid to be more fun than scary, Chopping Mall is a delightful B-movie where people say things like "I'm just not used to be chased around a mall in the middle of the night by killer robots" with a straight face. The whole film has that cheeky self-awareness, including some none-too-subtle genre references -- it even features one of Eating Raoul duo Paul Bartel and Mary Woronov's seventeen film cameos as The Blands. Funny and endlessly entertaining, Chopping Mall is a perfect throwback midnight movie. Thank you, have a nice day. — Haleigh Foutch

Run Time: 1 hr 31 min | Director: Andrew Patterson

Cast: Sierra McCormick and Jake Horowitz

The indie sci-fi film The Vast of Night is hands down one of the best films of 2020, and a wonderful surprise. Set in 1950s New Mexico, the story basically follows a switchboard operator (Sierra McCormick) and a radio DJ (Jake Horowitz) investigating a strange sound coming through the radio during a big high school basketball game. That premise could go wrong any number of ways, but at every turn Vast of Night pleasantly surprises. It’s Spielbergian in that it clearly draws influence from films like E.T. and Close Encounters of the Third Kind, but also has a voice and style all its own. The wildly compelling screenplay is full of delightfully crackerjack dialogue that evokes screwball comedies of the 40s and 50s, while Andrew Patterson’s direction favors long takes and unique shots that lay the intrigue on thick as the story plays out entirely in real-time. Add in a layer of Twilight Zone-esque terror, and The Vast of Night is a film you won’t soon forget, announcing its writers, director, and cast as new talents to watch. - Adam Chitwood

Run Time: 1 hr 37 min | Director: Lorcan Finegan

Cast: Imogen Poots, Jesse Eisenberg, Jonathan Aris

If you like Twilight Zone-inspired contained tales of horror and existential dread, boy does Prime Video have the right horror movie streaming for you. Lorcan Finegan's Vivarium is dark as hell and a walloping bummer, but it's a very good bad time. Imogen Poots and Jesse Eisenberg star as a couple on the hunt for their first home and wind up trapped in a surreal suburban neighborhood from which there's no escaping. No matter how many streets they drive through, how many fences they hop, they just can't get out. Then the nightmare baby shows up. On the surface, Vivarium is an effective portrait of the horrors of getting trapped in a white-picket-fence life you never wanted, but the scarier, much more effective undercurrent comes from the way the film embraces the cruel indifference of nature's life cycles and the helplessness of being stuck in them. -- Haleigh Foutch

Run Time: 1 hr 33 min | Director: Justin Benson and Aaron Moorhead

Cast: Peter Cilella, Vinny Curran, Emily Montague, Zahn McClarnon

The feature debut from Spring and The Endless filmmaking duo Justin Benson and Aaron Moorhead, Resolution is a slow burn, surprisingly expansive existential thriller that builds a whole universe from the confines of a remote cabin. Petter Cilella and Vinny Curran co-star as two old friends who head for a getaway at said cabin -- but what one doesn't know is that the other plans to keep them there by whatever means necessary until he breaks his friend of his drug habit. That character drama provides the solid foundation from which Benson's script builds a Lovecraftian terror when an unknown, unseen force starts sending them messages and toying with them, further trapping them in their dingy little pit of despair. It's a slow burn that sticks the landing with an unforgettable conclusion, and it lowkey packs in enough mythology that Benson and Moorhead have built a whole cinematic world out of it. In fact, once you finish Resolution, you can head over to Netflix to watch the semi-sequel The Endless. -- Haleigh Foutch

Run Time: 1 hr 34 min | Director: Andrew Traucki

Cast: Damian Walshe-Howling, Adrienne Pickering, Zoe Naylor, Gyton Grantley, Kiernan Darcy-Smith

The Reef is an impressive exercise in tension that does a lot with a little. The film follows four friends who set out to take in the sights of the Great Barrier Reef and find themselves stranded at sea when their boat capsizes. With the few supplies they salvage, they make the hard choice to swim out through shark-infested waters rather than wait around for the slim chance of rescue on their sinking ship. But once they’re in the water, a blood-thirsty great white catches their scent and hunts them down one-by-one.

Writer/director Andrew Traucki takes just enough time to lay some dramatic groundwork before he unleashes sickening tension with the crash and never lets up, staging a slow burn until the shark’s reveal, which is liable to take your breath away. The Reef was filmed with real sharks, and the first attack is a stunning, intensely anxious experience that will have you curling up your toes in fear. (No small thanks to the actors, who sell the terror with every guttural scream and ashen grimace.) There’s one egregiously foolish character and the ending is a bit abrupt and cruel, but overall, The Reef is a tense, technically accomplished survival thriller with one seriously scary shark. -- Haleigh Foutch

Run Time: 2 hr 32 min | Director: Luca Guadagnino

Cast: Dakota Johnson, Tilda Swinton, Mia Goth, Chloë Grace Moretz

Call Me By Your Name director Luca Guadagnino brings all his sensuality and artistry to 2018's Suspiria. More of a sibling film to Dario Argento's iconic horror classic than an outright remake, Suspiria depicts its powerful magical darkness through the context of generational strife and fascist powerplay, embedding the supernatural in the psychological to extraordinary results. Suspiria is a phantasmagoria of violence, magic, and movement that feels pulled from the old ways of some unknown ritual. Art, dance, horror, and the human spirit come out to play in Guadagnino’s coven, conjuring the uncanny and a feeling of true witchcraft that’s as stirring and profound as it is occasionally terrifying. Give yourself to the dance, indeed, because Guadagnino’s film gives you no other choice. -- Haleigh Foutch

Run Time: 1 hr 36 min | Director: George A. Romero

Cast: Duane Jones, Judith O'Dea, Marilyn Eastman

The zombies in George A. Romero’s Night of the Living Dead are called “ghouls” but nonetheless, this is the film that created the movie zombie as we know them: blank, thoughtless creatures who lumber around with vacant stares and barely retain any resembling sense of their humanity. For this reason, the thrill of the movie zombie has generally been in seeing how our heroes with brains dispatch them with great efficiency and cruelty. They’re no longer human, after all.

However, re-watch Romero’s film and try not to escape with having more sympathy for the “ghouls” than most of the humans. The living humans mostly only retain humanity’s weakest learned attributes: prejudice, xenophobia, and selfishness. The most selfless non-ghoul we follow (Duane Jones) is famously shot—after valiantly fighting against the ghouls—simply because his skin color triggers a suspicious reaction to the man on the other end of the rifle. But Romero plants many other distrust of authority motifs throughout Night of the Living Dead. In 1968, recent public opinion on the war of Vietnam and in the police tactics during the Civil Rights movement had shifted to no longer give blanket trust of best intentions to law enforcement, generals, and soldiers. They’re human after all, and many humans harbor ill intent to others. Just watch the burial of the once human ghouls who are dragged out by meat hooks and burned in a pile and try not to think of any xenophobic war or a horrific systemic view of the “other”. --Brian Formo

Run Time: 1 hr 48 min | Director: John Fawcett

Cast: Katharine Isabelle, Emily Perkins, Kris Lemche, Mimi Rogers, Jesse Moss

John Fawcett‘s spin on the werewolf mythos should be considered among the ranks of the modern monster classics, and easily one of the best werewolf movies, but outside horror circles it's too often forgotten. A coming-of-age tale via lycanthropy, Ginger Snaps tells an intimate story about two death-obsessed, co-dependent sisters who are slowly torn apart when the older girl starts to change after a werewolf attack. Ginger Snaps was one of the early adopters of the 21st-century trend to address female puberty by way of monstrous transformation (see also: Teeth, Wildling, Revenge, among many others), and it does so with great effect, but it's also a downright well-made horror film. The effects are on point, the characters are relatable and sympathetic (even those like the high school mean girl, the local drug peddler, and the horny teenage boy are treated with a dose of empathy), and the actors all committed in their pulpy roles. Ginger Snaps puts a clever spin on a lot of themes -- sexuality, sisterhood, loneliness, outsider pride and the desire to belong -- and in doing so, it puts a fresh spin on one of horror's most long-standing genres. --Haleigh Foutch