If you’re looking for a fun throwback to the Amblin adventure films of the 1980s, look no further than Shawn Levy’s Netflix original sci-fi film, The Adam Project. The film centers on a young boy (breakout star Walker Scobell), who discovers that his future self (Ryan Reynolds) is an astronaut who has crash-landed on Earth. If you’re expecting the typical quippy performance from Reynolds, you’ll be surprised to see that it’s actually Scobell who gets most of the film’s best zingers. Reynolds turns in a more hardened, mature performance, and the film itself does a great job balancing humor and heart. Look out for the moving performances by Mark Ruffalo and Jennifer Garner as Adam’s parents, but stick around for Catherine Keener’s scenery chewing villain. — Liam Gaughan

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Linguist Louise Banks (Amy Adams) is hired to defuse the possible tension created following 12 suspicious spacecraft appearances and the discovery of extraterrestrial life. Directed impeccably by iconic filmmaker Denis Villeneuve, Arrival is both epic in its sci-fi scale and philosophical in its tone, with Eric Heisserer and Ted Chiang’s script delivering intellectually deeper results than its initial set-up lets on. The film’s pace ebbs and flows between moments of gripping carnage and slow tension, with the latter encouraging the viewer to become the problem solver. Powerful and brooding, matched perfectly by Jóhann Jóhannsson’s score, Arrival is a film worth watching every second of. - Jake Hodges

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A harrowing and surrealist parable about the horrors of trying to buy a home, Vivarium is a vast experience even as it remains mostly confined to a single location. It follows the young couple of Gemma and Tom, who are looking to buy their first house. Played by the strong duo of Imogen Poots and Jesse Eisenberg, they initially seem to be innocent about the whole affair. This will all change very quickly. When they take a tour of what they hope to be their home, they are left in an unfamiliar neighborhood. This suburban hell prevents them from escaping, as any time they try to leave will bring them right back to the same house. It is a claustrophobic and tense experience, never missing a beat as it all becomes increasingly suffocating to see the two people begin to fall apart. It reveals how we may be digging our own graves without knowing that we are doing it until it is all too late. - Chase Hutchinson

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Bird Box Barcelona continues to build layers within the thrilling post-apocalyptic horror film franchise that began in 2018 with Bird Box starring Sandra Bullock. In this new chapter, co-written and co-directed by David Pastor and Àlex Pastor, Bird Box Barcelona explores the evolution of the terrifying tragedies, particularly as events unfold in Spain. Centering on Sebastián (Mario Casas), a survivor who reluctantly joins others on their attempt to escape the city, Bird Box Barcelona co-stars Naila Schuberth and Georgina Campbell as travelers determined to find refuge in a haven beyond the city. – Yael Tygiel

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As the feature film directorial debut of Juel Taylor (Creed II), They Cloned Tyrone is a love letter to the pulpy Blaxploitation of the 70s that perfectly captures the campy vibe of old-school sci-fi. Starring Jamie Foxx (Day Shift), John Boyega (Attack the Block), and Teyonah Parris (Candyman) as a hustler, a pimp, and a sex worker who stumble on a vast government conspiracy right underneath their hood, the story is bursting with sharp satire and wildly absurd humor that feels tailor-made for this trio. Taylor brings a fresh eye to an old genre and creates a wonderfully stylized aesthetic that manages to feel both retro and futuristic. – Tauri Miller

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Director Stefon Bristol takes the short he created with Fredrica Bailey and expands it into a socially relevant feature-length time travel film about the endless cycle of Black pain at the hands of the cops. After her brother is killed by a racist officer, C.J. Walker (Eden Duncan-Smith) and her best friend Sebastian Thomas (Dante Crichlow) figure out the secret to time travel so they can go back and save his life. The film introduces the real issue of police brutality and fatalities of people in Black communities into a sci-fi environment where it cleverly mirrors how the frequent police shootings of unarmed Black men can feel like its own time loop that we have yet to escape. – Tauri Miller

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Spectral is a military action thriller about a troop of US Army soldiers in Moldova who encounter a mysterious condensate entity that instantly kills everyone it touches. Unable to see the apparitions with the naked eye and their weapons being useless against them, the troop is forced to find a solution before they’re all wiped out. The most captivating part of this film is the design of the apparitions and the way they utterly decimate the US special-ops forces in an instant. Emily Mortimer (Mary Poppins Returns) and Bruce Greenwood (Star Trek) sell the menace of a force you need a spectrometer to fight with great stand-out performances.

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A prequel to John Carpenter’s classic horror film of the same name, The Thing is a haunting survival thriller intended to evoke the same eerie vibes. Directed by Matthijs van Heijningen Jr., The Thing stars Joel Edgerton as Sam Carter, a military vet and helicopter pilot, and Mary Elizabeth Winstead as Kate Lloyd, a scientist in a Norwegian Antarctic research crew who uncovers a mysterious ship belonging to an alien species buried deep below the surface of the ice. As the insidious alien parasite awakes and latches onto the isolated Arctic outpost team, they turn on each other and fight their own paranoia with the single goal of survival. – Yael Tygiel

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Action director McG (Terminator Salvation) helms this alien invasion-driven coming-of-age film that harkens back to classic 80s sci-fi movies like Red Dawn, E.T., and Predator. The story follows a ragtag group of four teens who get separated from their summer camp during a devastating alien attack. Left with the literal key to humanity’s survival, the four misfits have to work through their differences and travel across the state to fend off the invaders. Rim of the World is a fun flick for kids that has great creature designs and plenty of inspiring moments that will have viewers pumping their fists. – Tauri Miller

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Kang Soo-yeon is incredibly impressive in Jung_E, which unfortunately serves as her final movie before her death. Written and directed by Yeon Sang-ho, Jung_E boldly explores an unnerving and fascinating story inspired by the evolution of artificial intelligence while brazenly broaching questions regarding the dangers of technology, greed, and our dying planet. With a gorgeous technical design, Jung_E is a beautiful, thought-provoking sci-fi drama about humanity, grief, and perseverance. Also starring Kim Hyun-joo and Ryu Kyung-soo, Jung_E captivates with the action and drama, appealing to a sci-fi-loving audience. – Yael Tygiel

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Directing duo Henry Joost and Ariel Schulman brings to life Mattson Tomlin’s fascinating script in Project Power, an original film about the inevitable commodification of superhuman abilities. Built on a cleverly provocative premise with an exciting philosophical implication, Project Power provides the stellar cast with an exciting playground to explore. Led by Jamie Foxx (Spider-man: No Way Home) with Joseph Gordon-Levitt (Inception) and Dominique Fishback (The Last Days of Ptolemy Grey), Project Power builds on highly intricate stunts and action sequences, grounding a CGI-filled film with tangible aspects and an alluring mystery. – Yael Tygiel

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Gina Rodriguez (Diary of a Future President) stars in Awake, a fascinating science-fiction film about a former soldier who discovers that her daughter might be the cure for a global bout of insomnia. Director Mark Raso, who co-wrote the screenplay with Joseph Raso, carefully dictates the specificity of his post-apocalyptic world, navigating the aftermath of a mysterious catastrophe with fatal consequences. Co-starring Shamier Anderson (Wynonna Earp) and Jennifer Jason Leigh (Hunters), Awake reveals Rodriguez’s nimble skill in balancing strength and vulnerability as a mother tasked with protecting the potential key to salvation. – Yael Tygiel

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The Discovery is an intriguing science-fiction romance film directed by Charlie McDowell, who wrote the provocative screenplay with Justin Lader. Beginning with Dr. Thomas Harbor’s (Robert Redford) scientific revelation that an afterlife exists, leading to a heartbreakingly massive increase in suicides, The Discovery leans into discourse about scientific processes, as well as a detour focusing on how his findings affect the doctor’s son’s (Jason Segel) attempts to help a young woman, Isla (Rooney Mara), with her own issues surrounding the concept of death. With a talented star-filled cast, The Discovery initiates truly curious and thought-provoking ideas, leaving audiences eager for more answers and discoveries. – Yael Tygiel

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Directed by Federico D'Alessandro (Spider-Man: No Way Home), Tau is a sleek movie based on a fascinatingly terrifying concept. The director’s previous cinematic experiences in the art department of Hollywood’s biggest features give him a unique vision that is beautifully implemented in Tau. Starring Maika Monroe as Julia, a woman who finds herself being held prisoner by a sadistic artificial intelligence voiced sternly by Gary Oldman, Tau also sees Ed Skrein (Deadpool) as Julia’s captor, continuing his impressively believable villain streak. Written by experienced science-fiction television writer Noga Landau (See), Tau plays with predictable sci-fi themes and elements of horror, but the wonderful casting sets it apart, providing an entertaining ride. – Yael Tygiel

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Danish actress Clara Rugaard stars in the intriguing science fiction film I Am Mother, about a lone girl who is raised by an android she calls Mother. Voiced by the multifaceted Rose Byrne (Physical), Mother has convinced her ward that they are the sole survivors of a vicious plague. But when a stranger arrives, played by Oscar winner Hilary Swank, everything Mother has said is called into question. The I Am Mother screenplay by Michael Lloyd Green, based on the story written by director Grant Sputore, broaches provocative philosophical points to be investigated in strikingly sterile sceneries, allowing these talented actresses to discuss and kick ass at the same time. – Yael Tygiel

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Based on the Stephen King novel, The Mist is one of the most chilling sci-fi/horror films ever made. The plot revolves around a group of people trapped in a supermarket as they try to stay safe from bloodthirsty monsters lurking right outside. Though the creatures are terrifying, the real scares come from the humans and what people do under the most stressful circumstances. The film almost plays out like a dark, tense social experiment. Marcia Gay Harden as religious fanatic Mrs. Carmody gives an especially memorable performance. – Taylor Gates

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Spiderhead is a psychedelic mind-bending science fiction film that questions morality, humanity, and freedom, as it’s set in a terrifying near future where convicted felons are given the opportunity to shorten their sentences by becoming human guinea pigs in untested medical trials. Starring Chris Hemsworth (Thor: Love and Thunder), Miles Teller (Top Gun: Maverick), and Jurnee Smollett (Lovecraft Country), this all-star cast enhances the mystifying premise and captivating story from Deadpool and Zombieland writers Rhett Reese and Paul Wernick, based on the short story by George Saunders. Hemsworth’s performance is a pleasant deviation from his more recent recognizable roles, only emphasizing the strengths of this film. – Yael Tygiel

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It’s impressive any time one actor can play identical twins, but what about seven different siblings? In the Netflix sci-fi thriller What Happened to Monday, Noomi Rapace portrays seven sisters, each named after one day of the week. Rapace makes each of the characters feel distinct. The film takes place in a dystopian society that is dealing with overpopulation. A one-child policy is strictly enforced by the government’s Child Allocation Bureau. After their sister Monday mysteriously vanishes, the six remaining sisters hunt for their lost sibling. Dead Snow filmmaker Tommy Wirkola adds the perfect amount of camp to the high concept premise. -Liam Gaughan

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George Clooney’s directorial efforts may have been a mixed bag thus far, but The Midnight Sky is his first venture into the science fiction genre as a filmmaker. It's one of his strongest films to date. Clooney remarkably brings a lonely sensitivity to his lead performance as the scientist Augustine Lofthouse, who must stay on Earth as the rest of mankind searches the universe for habitable planets. Augustine’s only companion is the young girl Iris (Caoilinn Springall), who he raises as his daughter. Alexander Desplat’s beautiful score highlights this touching relationship. The $100 budgeted visual design earned The Midnight Sky an Academy Award nomination for Best Visual Effects. — Liam Gaughan

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Adam McKay’s darkly humorous satire of the climate change crisis divided audiences down the middle; while there are those that appreciated McKay’s fiery text, others found it to be vague and insulting. Either way, Don’t Look Up is well worth watching just to engage in the debate about one of the most divisive Best Picture nominees ever. It also has an insanely talented cast, who get the chance to change things up from the type of performances they usually deliver. Has Leonardo DiCaprio ever played a nerd? Has Meryl Streep ever played a dictator? Have we ever seen Timothee Chalamet as a philosophical stoner? — Liam Gaughan

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The Cloverfield Paradox is the third installment in the Cloverfield franchise, which follows the crew of an international space station that travels into a parallel dimension while trying to solve the Earth’s energy crisis. As the crew of the Cloverfield Station prepares to test the Shepard particle accelerator, conspiracy theorists back on Earth spin stories about how the accelerator will rip open portals in the fabric of time and unleash horrors from parallel universes. After two years of unsuccessful tests, the crew is finally able to maintain a stable beam, however, chaos ensues as it becomes apparent that the conspiracy theories were not unfounded. As the crew tries to repair the Cloverfield Station after a power surge, they discover a woman named Mina Jensen (Elizabeth Debicki) inside of the wall of the station fused with wires and screaming in agony. This is a perfect example of how the film sits at the intersection of science fiction and horror, delivering on scientific technobabble and nightmare-inducing monsters and body horror.

While The Cloverfield Paradox failed to live up to the expectations set by its predecessors and is certified rotten, it has a brilliant cast that makes it worth watching. The interpersonal relationships and conflict between the crew members—Ernst Schmidt (Daniel Brühl), Ava Hamilton (Gugu Mbatha-Raw), Jason Kiel (David Oyelowo), Monk Acosta (John Ortiz), Gordon Mundy (Chris O’Dowd), Sasha Volkov (Aksel Hennie), and Ling Tam (Zhang Ziyi)—makes up for the uneven storytelling. It’s an ambitious film that gets very lost in its own parallel universes, but it’s worth it for Mbatha-Raw, Oyelowo, and the minor romance subplot between Ernst Schmidt and Ling Tam. – Maggie Lovitt

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Watch out. Based on the novel of the same name by Josh Malerman, the sci-fi thriller Bird Box tells the chilling story of Malorie Hayes (Sandra Bullock), a mother of two young children who seeks refuge when mysterious entities take over and drive anyone that looks at them to see their worst fears and die by suicide. In an attempt to protect her children and navigate this new life, she bands together with fellow survivors and searches for sanctuary and answers. Clinging to her blindfold and any semblance of hope, Malorie risks it all and travels through treacherous waters in order to get out of this nightmare alive. — Emily Bernard

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It is hard to think of a film that you could have more fun with when it comes to science fiction adventure than the glorious experience that is Space Sweepers. It focuses on a crew of a spaceship, that quite literally sweeps up debris in space, who end up getting swept up in an intergalactic dispute that is beyond anything they have ever seen. It is best to go in with as little knowledge as possible as the heights this story reaches is best experienced for the first time in seeing it. All the characters and the cast are routinely outstanding, finding humor as well as drama in every moment they can. There are big space battles galore and a real sense of excitement overflowing from every frame that makes it one of the most enjoyable science fiction films of recent memory. It is everything you could ever want from the genre and then some, proving to be one of the most enduringly thrilling films you could be lucky enough to get to experience for yourself. — Chase Hutchinson

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The Endless and Spring filmmakers Justin Benson and Aaron Moorhead return to cinema's strangest, scariest cinematic universe with Synchronic. With clever ties to their previous films, Synchronic further unfolds the wonders and the horrors sprung from a mysterious force manipulating the world in ways that ripple through time. In Synchronic, those ripples manifest in the form of a designer drug that's leaving behind a trail of inexplicable deaths and injuries, a pattern that quickly catches the attention of a BFF pair of paramedics (Anthony Mackie and Jamie Dornan). Synchronic establishes a compelling puzzle with striking, unnerving imagery and pays off ever step it takes to solve it with revelations that surprise, sometimes shock, and always up the stakes. Synchronic works just fine as a standalone film if you haven't seen Benson and Moorhead's previous work (though you should), but I have to admit, with each new film, I've grown consistently more intrigued by the sprawling, genre-building world they're building, and the obvious attention to detail they've put into their design from project to project. — Haleigh Foutch

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