If you’re expecting to walk out of Maestro with an in-depth look into how Leonard Bernstein developed his immense talent for composing, you will be disappointed. Bradley Cooper’s second directorial effort does not dive deep into the inner workings of the mind of one of the greatest musicians of all time. We don’t see him translating the sound of his mother’s humming into a score when he’s a child. There is no college years montage of him honing his craft and proving to his skeptical professors that he is a genius in the making. This is not your typical biopic. It is the story of a marriage and life between two people — one of them just happens to be one of the best composers of all time. And the other, well, that’s what the film sets out to tell you. Felicia Montealegre may not be a name as widely known as Leonard Bernstein, but in Maestro, she is at the center of the world.