For nearly as long as horror has existed on film, we’ve had George Romero movies to make it better. From inventing the concept of the modern zombie with Night of the Living Dead to his recently resurfaced gem The Amusement Park, Romero remains a pillar of the genre, a smart, bespectacled filmmaker whose work continues to influence others even after his death. My personal favorite, one in his vast catalogue of work, is 1982’s Creepshow, an anthology film featuring a host of scary stories, from jealous strangers to bizarre creatures hiding under stairwells.