The experience of watching the first eight Saw films is not unlike the spiraling Charlie Day's character goes through in the infamous Pepe Silvia episode of It's Always Sunny in Philadelphia. If you were to use a piece of string to try to trace the journey that Tobin Bell's notorious Jigsaw goes on, it would quickly get tangled up in itself and leave you frantically trying to shape it into something that can hold together. Even when he met his demise, the movies found a way to fold time and space itself to somehow bring him back into the story, logic be damned! With each entry, this became more and more complicated as entire movies take place alongside or even before others without it being entirely clear that this is happening until towards the end. The lengths to which the subterfuge goes makes each into an experience increasingly defined by bemusement over its twists as it is gruesome death.